You can also load your own impulse response. The third section is the Cabinet, with a choice of two: Mesa 4 x 12 for a more middly, incisive sound, or an Orange Custom 4 x 12 for a bit more size, top-end crunch and low-end weight. But for completely clean amp sounds, you'll really need a different plugin. This is a pretty high-gain affair, clearly leaning towards metalcore tones, although lowering the Gain knob you can get some very involving slightly tamer sounds. Second is the guitar amp head, with traditional Marshall-style controls comprising Gain, Bass, Mid, Treble, Presence and Output. Controls comprise Level, Tone and Gain, and this gives the signal a nice boost when necessary before hitting the amp. From the overview, all sections can be bypassed (except the amp).įirst up is an Overdrive pedal before the input to the amp. The signal path order cannot be changed, and frankly there is no need to be able to change it. Always visible are a one-knob Gate, a Tuner button to flip a very clear Korg rack-style tuner display on, Input and Output gain knobs accompanied by LED meters, and along the bottom the signal path component selectors (along with a Signal Path overview). The main interface comprises a central area where the different modules in the signal path are controlled. Guilty Pleasure is a new guitar amp simulator plugin for VST2, VST3, AU, RTAS, AAX and Audiosuite, which installs as 32 and 64 bit on Windows and Mac. He started out as a drummer, and is a self-taught producer with credits for writing, arranging, mixing, engineering and mastering on his productions which include artists like Attack Attack!, The Devil Wears Prada, Asking Alexandria and Miss May I.
Joey Sturgis is an American record producer with a studio in Indiana and a reputation as a leading expert working in the metalcore scene.
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