Use the third shape and select both shapes and use the pathfinder fly out menu and create a Compound path and enter that path and within this we can now choose a Shape Mode and really have the freedom to customize how it looks.Use the second shape to show the “Remove Redundant Points” feature.Use the courthouse shape and show the Alt + click on pathfinder tools to create a compound shape that I can click into and adjust as if it’s a live shape and create something right there on the fly.Repeat Pathfinder Operation via Cmd + 4 or the fly out menu.Divide and Outline will remove unpainted artwork.Making and Releasing Compound Paths (1:43 of the linked video).Alt/Opt + click on path operation to create a compound shape that you can click into iso mode with and move shapes to have the shape auto-update as you work.
Tags: illustrator tutorial, illustrator, tutorial, design, adobe illustrator, illustration, how to, graphic design, adobe illustrator tutorial, adobe illustrator (software), adobe illustrator cc, illustrator tutorials, adobe illustrator pathfinder, adobe illustrator pathfinder tutorial, illustrator pathfinder, illustrator pathfinder tutorial, merge tool tutorial, unite tutorial, illustrator merge tool, illustrator unite tool, adobe illustrator cc tutorial using pathfinder, AI Tutorial Recording Notes:ĭisclaimer: these are the actual notes I used to record this video and are written in a language you may or may not understand.
Creating compound shapes to open up unlimited versatility when creating a custom shape with pathfinder, reduce additional anchor points, making and releasing compound paths/shapes, removing unfilled artwork automatically, and a cool hotkey to repeat pathfinder operations with ease. In this Illustrator tutorial, I’ll break it all down for you when it comes to using the Pathfinder. ILLUSTRATOR TUTORIAL: LEARN SOME HIDDEN FEATURES OF THE PATHFINDER! | Check out this video and learn a few secret little things that you may not have known about using the Pathfinder panel in Adobe Illustrator.
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